Having the sound engineer in the same room as the musicians and using a quadraphonic sound system was a break from the previous Sonisk Selskap tradition, which created a different atmosphere. However, there was also a parallel mixing position in Studio A (using Grønsdahl's own modular Avid VENUE mixer system), which enabled Assistant Sound Engineer Priscilla Navas to control the mix for the live stream and other rooms at Wrap from a neutral (isolated) listening position.

The dancers used scores by M Veronica L Robles Thorseth and Monica Reksten for improvisations in the canteen and the Big Project Room.

Mariano Pignatiello, who also painted the mural in Wrap's long corridor, was installed in the Paint and Polymers workshop, where he could paint a very large canvas on the floor, which was filmed/streamed by a camera mounted in the ceiling. Sound was distributed to all the rooms with dancers and painting, using Wrap's dLive mixer system and sound-over-network infrastructure, and video was streamed from cameras in all these rooms to three projectors in Studio B, where the musicians were, as well as to Andreas Lassen, who made the live stream.

Recording was done simultaneously on two separate platforms for backup as well as for the simplicity of having files in appropriate formats for Logic Pro and for Pro Tools.